ABOUT THE ARTIST

Books

Bevan, SaraArt From Contemporary Conflict (2015)

Garlake, Margaret: Chronic Epoch, Black Dog Publications (2015)

Steven Jacobs: The Sublime Ruin of the City, in Jo Tollerbeeck and Eline van Aasche (eds) Ravaged: Art & Culture in Times of Conflict,  Leuven; Mercator Fonds (2014)

Hubert Mania: Das Grosse Dummy, Buch Berlin; Kein & Aber (2010)

Frank Maes and Steven Jacobs (eds): Beyond the Picturesque Gent; SMAK (2009)

Articles

Dan Hays, ‘John Timberlake: We Are History’ Journal of Contemporary Painting Vol 1 Issue 2, 2015

Joy Sleeman, ‘The Zone After London’ Transmission Annual 3: Catastrophe pp.43-56 ISBN 978-1-906441-28-9 (UK) (2013)

Morgan Ashley, ‘Dark Sky: A Reply’ Salient 21 May 2012 (New Zealand)

Bernadette Buckley, ‘Forum: Art & Politics’ Postcolonial Studies Volume 13 Number 2 June 2010 pp126-127 (ISSN 1368-8790)

Christopher Seddon, ‘Bussard Ramjet by John Timberlake’ Art World April/May 2009 (ISSN 1755-0092) (UK)

Verily Klaasen: ‘John Timberlake, Behind the Wall Lies the Ocean’ Kunstbeeld Nr 3, 2009 (Netherlands)

Christophe van Eecke,  On Beyond the Picturesque Metropolis M 13th July 2009  (Netherlands)

Lee Triming: Bussard Ramjet by John Timberlake A-N Magazine, March 2009 (ISSN 0261-3425) (UK)

Benedict Burbridge,‘Futile Metaphors: contemporary art and the bomb’ Photoworks Issue 10, May-October 2008 (ISSN 1742-1659) (UK)

Charles Danby, John Timberlake: Colony Axisweb Dialogue (ISSN 1749-4990)

Amy Bell: John Timberlake: Colony Metro 12 February 2007 (UK)

Edwards, Steve, (2006), “Produkcija Objektivnosti V Fotografiji  Zgodnjega 19. Stoletja”, Borec: Revija Za Zgodivino, Anthropologijo in Knievnost, 635-638, LVIII, pp.163-81. ISSN: 0006-7725 (Slovenia)

Op Art, The Guardian 2nd September 2006 (UK & Europe editions)

Mark Hutchinson: John Timberlake, Agency Contemporary The Future Issue 1 October 2004 (UK)

Daniella Johnson: East International 2004 Flash Art Issue 238 October 2004

Christine Vuegen: John Timberlake Kunstbeeld nr. 4 2003 (Netherlands)

Focus on John Timberlake Art on Paper vol 7 Number 1 Sept-Oct 2002 (US)

Marianne Wellershoff: Romantische Atompilze kulturSPIEGEL 10/2002 (Germany)

Roy Exley: Another Reality Source The Photographic Review Autumn 2002 Issue 32 (Ireland / UK)

Christiane Fricke: Keiner hat mehr ein Gesicht Suddeutsche Zeitung 14th June 2002 (Germany)

Shayna Skarf: Storm Troopers Time Out New York 21-28th March 2002 (US)

Helen  Monaghan: John Timberlake and Sandy Grant The List Magazine, 5-19/7/01 (Scotland)

BANK: Bank London (2000) Black Dog Publishing ISBN1 901033 42 2

Dan Fox: Executive Outcomes (Platform Gallery, London) Bijutsu Techo Magazine (美術手帖)August 2000 (Japan)

David Musgrave: Executive Outcomes Art Monthly, July-August 2000 (UK)

Ian Ramsey: Hot Tickets  The Bulletin – The Newsweekly of the Capital of Europe 9/3/2000 (Belgium)

Guy Gilsoul: Nouages sur la campagne anglaise  LeVif/L’Express 3/3/2000 (Belgium)

Claude Lorent: Un Monde Parfait – John la menace  La Libre Culture No 52 1/3/00 (Belgium)

Sotiris Kyriacou: Disaster Art Monthly, February 2000 (UK)

Robert Clark: Exhibitions; Disaster The Guardian Guide Listings 9.10.99 (Northern UK edition)

William Silk: Anxiety – Edinburgh Collective Gallery The List  4-18 February 1999 (Scotland)

Dave Beech: What Difference Does It Make? Art Monthly, July-August 1998 (UK)

Pauline van Mourik Broekman: Martin Mute Issue 9 February 1998 (UK)

Martin Herbert: Martin Time Out 2.7.97 (UK)

Sacha Craddock: Martin The Times 1.7.97 (UK)

Robert Garnett: Charge of the Light Brigade/John Timberlake, Art Monthly November 1995 (UK)

Sarah Kent: Natural History, Time Out 18.8.93 (UK)